music for
Cover of if tame impala and the weeknd did a colab

music for

if tame impala and the weeknd did a colab

Ten tracks

  1. The one that tells you exactly what this record is before the first chorus would have landed.

    Cue sheet

    Psychedelic synth-pop, dark 80s R&B. Phaser-swept Juno-60 pad, fuzzy compressed melodic bass, gated LinnDrum snare over a squashed tape-saturated breakbeat, stacked wordless falsetto. 108 BPM, A minor. Tape saturation, flanged plate reverb, warm overdriven mix. No rap, no drop. Glamorous ache: the bass line keeps sliding up to a note the chords never resolve to. [0:00-0:30] pad, bass and breakbeat together [0:30-1:30] falsetto harmonies enter [1:30-2:20] phaser sweep opens wide, DX7 bells [2:20-3:00] full groove, filter closing. Wordless vocals only.

  2. Slow and slinky, for standing at the edge of the room pretending you don't care.

    Cue sheet

    80s slow-jam R&B, neo-psychedelia. Chorused Rhodes, Juno string pad, round fuzzy fingered bass, LinnDrum with snappy gated snare and rimshot. 96 BPM, E minor. Warm tape hiss, dark plate reverb, low-passed top end. No rap, no builds. Aloof longing: the snare lands a hair behind the beat every bar. [0:00-0:45] Rhodes, bass and LinnDrum [0:45-1:40] breathy wordless falsetto answers the Rhodes [1:40-2:30] pad swells, bass climbs an octave [2:30-3:00] drums drop to rimshot only. Wordless vocals only.

  3. The song where the night suddenly gets a second wind.

    Cue sheet

    Psych-disco, synth-funk. Heavily phased drum break with a four-on-the-floor kick, octave-jumping fuzz bass, Juno-60 chord stabs, arpeggiated Minimoog. 118 BPM, D minor. Saturated tape compression, stereo flanger, bright but gritty. No rap, no EDM drop. Restless euphoria: the whole drum bus is swept through a phaser every eight bars. [0:00-0:40] kick, break and bass [0:40-1:30] Juno stabs and arpeggio [1:30-2:15] wordless falsetto chant, full phaser [2:15-3:00] everything but bass and kick cuts out. Wordless vocals only.

  4. Low lights and a heavy head, good for the hour when conversation stops mattering.

    Cue sheet

    Dark R&B, woozy psych-soul. Detuned Juno pad with slow vibrato, sub-heavy 808 bass, dry LinnDrum kick and clap, reverse-reverb falsetto swells. 84 BPM, A minor. Muffled, low-passed, heavy sub-bass, tape wobble, no top-end sparkle. No rap, no hooks. Drunken tenderness: the pad drifts slightly out of tune and back. [0:00-0:50] pad, 808 and kick together [0:50-1:45] reverse falsetto swells enter [1:45-2:30] clap and shaker join, bass fills [2:30-3:00] filter slowly closes on the pad. Wordless vocals only.

  5. The peak, where the windows are down and the whole skyline seems to spin.

    Cue sheet

    Synthwave-psych, 80s dance-pop. Pounding gated LinnDrum, driving 16th-note analog bass, Oberheim-style brass lead, swirling Juno pad through a rotary effect, DX7 bells. 122 BPM, F# minor. Big gated reverb, tape saturation, flanged cymbals. No rap, no EDM drop. Reckless exhilaration: the bassline never stops, even under the breakdown. [0:00-0:30] drums, bass and pad at full tilt [0:30-1:20] brass lead melody [1:20-1:50] breakdown to bass and bells [1:50-3:00] everything returns, wordless falsetto soaring on top. Wordless vocals only.

  6. Floating on your back in lukewarm water after everyone else has gone to bed.

    Cue sheet

    Psychedelic dream-pop, ambient R&B. Slow-attack Juno pad through a phaser, muted fuzz bass holding long notes, soft brushed LinnDrum at half-time, tremolo DX7 electric piano. 72 BPM, E minor. Underwater low-pass, deep tape hiss, long dark plate reverb. Minimal drums, no hooks. Numb drift: the electric piano tremolo slows as the pad swells. [0:00-1:00] pad, bass and electric piano [1:00-1:50] half-time brushed kit enters softly [1:50-2:40] wordless falsetto hums deep in the reverb [2:40-3:00] drums fall away. Wordless vocals only.

  7. A lazy, grinning groove for the ride between one party and the next.

    Cue sheet

    Bedroom psych-pop, synth-funk R&B. Crunchy compressed drum loop with a swung hi-hat, bouncing fuzzy Hofner-style bass, wah-filtered Juno chords, clavinet-like synth plucks. 102 BPM, A minor. Tape saturation, heavy bus compression, short spring reverb, flanger on the hats. No rap, no drop. Giddy half-heartbreak: the bass keeps answering the chords with cheeky slides. [0:00-0:40] drums, bass and wah chords [0:40-1:30] synth plucks weave in [1:30-2:20] doubled wordless falsetto melody [2:20-3:00] drum loop tape-stops and restarts. Wordless vocals only.

  8. This one goes at full volume, for the last stretch when you're driving too fast on purpose.

    Cue sheet

    Dark synthwave, 80s arena synth-pop. Huge gated LinnDrum snare, hard eighth-note analog bass, distorted Juno lead, stacked brass pads, glassy DX7 bells. 128 BPM, D minor. Overdriven tape, massive gated reverb, dark low-mids. No rap, no EDM drop. Dangerous glamour: the snare reverb slams shut on every hit. [0:00-0:35] drums and bass straight in [0:35-1:25] distorted lead enters [1:25-2:10] brass pads and wordless falsetto wall [2:10-3:00] half-time drums, bass alone keeps racing. Wordless vocals only.

  9. Bittersweet and a little dizzy, like the lights coming up and nobody wanting to leave yet.

    Cue sheet

    Neo-psychedelic soul, 70s-tinged synth-pop. Warbling Mellotron-style flute, phased Juno chords, round melodic bass, dry thumping drum break with a tambourine. 90 BPM, C major into A minor. Tape wow and flutter, warm room compression, vintage spring reverb. No rap, no big builds. Fond regret: the flute line wobbles in pitch like a slowing turntable. [0:00-0:45] break, bass and flute [0:45-1:35] phased chords, tambourine [1:35-2:25] wordless falsetto choir, key darkens to A minor [2:25-3:00] flute and bass alone. Wordless vocals only.

  10. The comedown song, for when the sky turns pale and you finally head home alone.

    Cue sheet

    Downtempo psych-R&B, synth-soul ballad. Wide Juno pad with slow filter sweep, felt-like DX7 electric piano, muted fuzz bass, soft LinnDrum with a distant gated snare. 78 BPM, A minor. Tape hiss, washed plate reverb, warm rolled-off highs. No rap, no climax. Tired afterglow: the electric piano repeats one unresolved chord like a question. [0:00-0:50] pad, electric piano and bass [0:50-1:40] soft LinnDrum enters [1:40-2:30] layered wordless falsetto, filter opens fully [2:30-3:00] drums stop, pad sustains on the unresolved chord. Wordless vocals only.