music for
Cover of a fashion show from an abandoned building

music for

a fashion show from an abandoned building

Ten tracks

  1. The first walk of the night, and the one that tells you exactly where you are.

    Cue sheet

    Hypnotic techno, dark runway techno. Muffled 909 kick, rumbling sub-bass sine, filtered Juno-style F minor stab, ticking closed hats, concrete drip. 126 BPM, F minor. Warehouse concrete reverb, low-passed, heavy sub, no top end, light tape saturation. No drops, no hooks. Cold poise: one stab repeating like heels. [0:00-0:45] kick, sub and drip from the first beat [0:45-1:45] stab enters, dry [1:45-2:30] hats tighten, stab filter opens [2:30-3:00] hats leave, kick and stab walk on. Instrumental, no vocals.

  2. The seats are set out for an audience that never arrived, and the bass notices.

    Cue sheet

    Dub techno, deep minimal. Soft round kick, tape-delayed C minor chord stab, sub-bass pulse, vinyl-hiss bed, rattling chain-link hit on the offbeat. 116 BPM, C minor. Wide dub-space delay, muffled, rolled-off highs, heavy low end. No melody, no builds. Absent crowd: every delay tail rings out into an empty room. [0:00-0:50] stab echo and hiss over kick [0:50-1:50] chain-link offbeat joins [1:50-2:30] delay feedback swells, kick thins [2:30-3:00] stab alone, echoes shortening. Instrumental, no vocals.

  3. The loudest walk, when the building itself starts to shake along.

    Cue sheet

    Industrial techno, warehouse techno. Distorted 909 kick, rumbling sub, clanging sheet-metal percussion, 16th open hats, resonant F minor saw stab. 128 BPM, F minor. Cavernous concrete reverb, saturated, dark mix, heavy sub, no shimmer. No vocals, no EDM riser. Menacing confidence: metal hits land a fraction behind the kick. [0:00-0:40] kick and metal clang at once [0:40-1:30] open hats and sub rumble [1:30-2:20] saw stab snarls, filter wide [2:20-3:00] stab cut, percussion hammers on. Instrumental, no vocals.

  4. Between looks, in a corridor that smells of rust and hairspray.

    Cue sheet

    Dark ambient, isolationist drone. Sub-bass sine drone, buzzing fluorescent-tube hum, bowed-metal resonance, low-passed Juno pad, distant water drip. Free time, B-flat minor. Huge damp reverb, muffled, no top end, tape hiss. No drums, no pulse, no melody: sustained tones that swell and decay. Held breath: the tube hum flickers and cuts. [0:00-1:00] drone and hum together [1:00-1:50] bowed metal rises in register [1:50-2:30] pad opens, hum drops out [2:30-3:00] drone sinks a fifth lower. Instrumental, no vocals.

  5. The slowest swagger on the record, all shoulders and heavy boots.

    Cue sheet

    Slow EBM, dark industrial body music. Heavy gated kick, sequenced analog bass in 8ths, clanking chain snare, tape-delayed Juno-style F minor stab. 104 BPM, F minor. Dry concrete room, saturated, low-passed, weighty sub. No vocals, no hooks. Sneering elegance: the bassline stalks on one note and slides down at bar ends. [0:00-0:45] kick and bass sequence together [0:45-1:40] chain snare on 2 and 4 [1:40-2:20] stab and dub delay enter [2:20-3:00] bass drops an octave, snare falls away. Instrumental, no vocals.

  6. The last walk, and the one everybody stands up for.

    Cue sheet

    Peak-time techno, hard warehouse techno. Pounding 909 kick, rolling sub-bass, driving 16th hats, clap in concrete reverb, stabbing C minor chord through an overdriven filter. 132 BPM, C minor. Brickwall-loud but dark, heavy low end, no shimmer. No vocals, no breakdown drop. Triumph with a sneer: the stab accents shift every four bars. [0:00-0:30] kick, sub and hats flat out [0:30-1:20] clap and stab arrive [1:20-2:20] filter fully open, hats double [2:20-3:00] stab stutters to silence, kick runs on. Instrumental, no vocals.

  7. Afternoon light through the roof, with the show already half a memory.

    Cue sheet

    Minimal techno, deep techno. Soft muffled kick, sub-bass sine, clicking rimshot, soft Juno pad in F minor, sparse wooden block tick. 122 BPM, F minor. Warm concrete reverb, low-passed, gentle tape saturation, rolled-off highs. No stabs, no builds. Tired calm: the pad breathes in and out across four bars. [0:00-0:50] kick, sub and pad [0:50-1:40] rimshot and block tick join [1:40-2:20] pad rises to upper register [2:20-3:00] kick drops out, pad and tick linger. Instrumental, no vocals.

  8. The strange one, where the rhythm sounds like it is falling apart underfoot.

    Cue sheet

    Rhythmic industrial, broken techno. Lopsided distorted kick, crackling plaster-noise percussion, sub-bass drone, tape-looped metal scrape, detuned B-flat minor pad. 110 BPM, B-flat minor. Damp concrete reverb, muffled, bitcrushed edges, no top end. No melody, no four-on-the-floor. Unease: the kick skips a beat every third bar. [0:00-0:40] broken kick and scrape together [0:40-1:30] plaster crackle thickens [1:30-2:20] pad swells, kick straightens briefly [2:20-3:00] percussion unravels into scrape and drone. Instrumental, no vocals.

  9. One more lap after everyone has gone, just for the building.

    Cue sheet

    Ambient techno, dub-space techno. Distant soft kick, deep sub sine, tape-delayed F minor chord stab, fluorescent hum, looped drip. 124 BPM, F minor. Vast washed concrete reverb, low-passed, heavy sub, tape hiss. No hats, no hooks. Private pride: stab echoes decay unhurried behind the kick. [0:00-0:50] stab echoes and hum over distant kick [0:50-1:40] sub thickens, kick moves closer [1:40-2:30] second stab layer a fourth higher [2:30-3:00] kick dissolves into reverb, echoes remain. Instrumental, no vocals.

  10. The building goes back to sleep, and nobody would ever know there was a show.

    Cue sheet

    Drone, field-recording ambient. Sub-bass sine drone, low Juno-style F minor pad, wind through broken glass, chain rattle, fading fluorescent hum. Free time, F minor. Muffled, low-passed, cavernous reverb, tape hiss, no top end. No drums, no pulse, no melody: unmetered tones that swell and settle. Quiet desertion: the hum thins until only wind remains. [0:00-1:00] drone, pad and wind [1:00-1:50] chain rattle, pad drops lower [1:50-2:30] hum fades [2:30-3:00] wind alone over sub. Instrumental, no vocals.